They are available in the following sizes: Transline - 1/2", 5/8", 7/8", 1-1/4", and 1-5/8"; Radiating - 1/2", 5/8", 7/8", 1-1/4", and 1-5/8"; Plenum and Plenum Radiating - 1/2".

Because our cable is smooth wall aluminum, it will be a little more difficult to bend than corrugated copper but much easier to bend than smooth wall copper cables. As a comparison, smooth wall copper takes 154 foot-pounds to bend, AirCell® takes 60 foot-pounds and corrugated foam 1-5/8" cable takes 40 foot-pounds.

Our AirCell® cable has a 91% Velocity of Propagation which makes the attenuation lower than that of the competing foam corrugated products at 88%. This is accomplished by a unique design which uses the perfect dielectric - AIR. AirCell® Transline 1-5/8" has the lowest attenuation in the market, 1.02dB/100ft @ 2000 MHz versus corrugated foam's 1.13dB. The attenuation of AirCell® Transline 1-5/8" is almost equivalent to foam's 2-1/4" which is a much bigger cable.

Trilogy offers 15 years warranty against water migration, which is the longest warranty in the industry versus Andrew's 10 years and RFS and Times Microwave's 5 years.

AirCell® cable has one of the lightest weights in the industry. As a comparison, the weight of our AirCell® Transline 1-5/8" has the lightest weight of 0.70 lb/ft versus NK Cable's 0.97 lb/ft, RFS' 1.19 lb/ft, and Andrew’s 0.82 lb/ft (LDF) – 0.72 lb/ft (AVA) for their copper products. Trilogy’s AirCell® Radiating cable should be placed with a 2” spacing from concrete wall versus the competition’s 4” spacing from wall.

Our customers are our first and foremost concern and our management team is committed to providing a first class product and exceptional customer service.

It's a programmable, sample-based Virtual Bass Module software plug-in, which combines a massive 3.1 gigabyte core library with a powerful, yet easy to use interface and synth engine for manipulating the sounds, and creating your own original patches.

We have had several free updates already for LFO sync and platform compatibility. Exciting things are planned for the future, but no specific information has been officially announced yet. No. It uses the RAM in your computer, which is far less taxing on your system and allows for better and more reliable host integration.

It's completely dependent on your sound card. Most current quality sound cards have drivers that are very fast for real-time playing (as low as 1.5 ms).

The two main parameters affecting the performance of AirCell® Radiating cable are attenuation, which limits the longitudinal range, and coupling, which determines the overall sensitivity. Attenuation is relatively easy to measure by simple insertion loss techniques although the accurate prediction of losses in an actual working environment is much more difficult.

Due to our cable's unique air dielectric design, the connectors, tools and grounding straps are designed specifically for AirCell® Transline. All other accessories are interchangeable with what you are currently using. Specially designed AirCell® Transline connectors are easier to work with and take less time to install, compared to our competitors' products which also require their own connectors.

of Trilogy’s cable product is made in the U.S.A. The plant is located in Pearl, Mississippi, and has over a quarter-million square feet.

Written by Robert Joseph Shea (1933 - 1994/03/10) and Robert Anton Wilson (1932/01/18 - ), the Illuminatus! Trilogy consists of The Eye in the Pyramid (1975) (ISBN), The Golden Apple (October 1975) (ISBN), and Leviathan (November 1975, January 1976, November 1977, May 1979) (ISBN: 0440147425). Originally published by Dell in 1975 as three separate paperbacks, but since, long available in one large 800+ page volume (ISBN: 0440539811).

Not without obtaining a license transfer from Spectrasonics. The sounds and software are licensed and registered ONLY to you. You cannot automatically transfer the license to someone else, and therefore you cannot simply sell it used. If you do attempt to sell it used without obtaining a license transfer, the buyer will not be able to use the product because it is registered and licensed to you. The Trilogy license is the right given to a single person to use the instrument.

The custom UVI engine we use can handle any sample rate/bit rate up to 192k, 32 bit. This gives us the flexibility to use the highest rate necessary to capture the best quality sound on a sample by sample basis...so you always get the best possible sound, with the optimum memory efficiency.

Not at all. Of course, we've worked hard to make sure that Trilogy comes with an amazing library of sounds...but it can very easily be used as a catalyst for your own creations. The whole idea is to combine powerful flexibility with an easy to use interface. You can easily create and manipulate your own sounds using the core library as a starting point for your own explorations.

Trilogy is a virtual sound module, not a sampler. It doesn't import or load samples other than its own core library. The interface and software exist to manipulate this particular sound set and because of this, we have been able to keep the interface very streamlined and easy to use. There are many good options for software samplers to import and load AKAI sample libraries or AIFF/WAV/SF2 files, etc.

Yes, this is OK unless you want to put samples created with Trilogy directly encoded into the game. That requires an additional license. No. It's very important to know that each composer must have his or her own copy and license for Trilogy. We make regular checks to verify that large production studios have obtained the proper licenses for our instruments and sample libraries. No. The standard license to use Trilogy is only granted to the buyer.

Not unless they are a licensed user. They will need their own serial number and registration to be licensed to use the instrument. It’s not actually unusual at all or even unique to Spectrasonics. In fact, this is the identical type of license agreement used by thousands of sample libraries, virtually all sample-based virtual instruments and the vast majority of music software.

Liv sings three songs about dogs as a medley. They are "How Much is that Doggie in the Window?," "Doggie Jail," and "You Can Take Me Home."

Trilogy Communications designs, manufactures and markets a full range of cable products for wireless communications. The company was founded in 1985 after the purchase of a business unit from General Cable. For nearly two decades, Trilogy has been providing the communications industry with the most technologically advanced coaxial cable products in the marketplace.

No, the lifetime license fee to use the samples is covered in the purchase price of the instrument. You can use it on as many of your own projects as you like and we hope that you make some hits with it!

x 12' . . . 12' x 16' . . . 16' x 24' . . . 20' x 30' . . . 24' x 30' . . . 28' x 40' . . . 32' x 40' . . . 36' x 60' . . .

Tire sizes are often time noted in metric or imperial sizing. Some of the common tire sizes used in RGK products are 24 X 1 or 25-540; 24 X 1 3/8 or 37-540; 25 X 1 or 20-559; 26 X 1 or 25-590; 26 X 1 3/8 or 37-590. We do carry a complete line of tires ranging from 20 X 1 or 19-451 through the 28 X 1 or 700 X 28c or 28-622 including mountain bike tires, solid tires, etc.

Currently the Moisturizing Mouthwash is available in a 16 fl. oz. bottle and the Moisturizing Mouth Spray is available in a 1.0 fl. oz bottle. (A consumer can expect to get approximately 150 sprays per bottle.)

The district’s class sizes in grades K-3 are dramatically reduced to a maximum of 20 students, which gets them off to a good start in their studies. Class sizes in grades 4-6 usually range from 32 to 35 students. In ninth grade, most English and math classes are 20 to 24 students. In the middle and senior high schools, most other class sizes range from 28 to 36 students, depending on the subject matter, level of instruction and other factors.