We transfer all formats of film (8mm, S-8mm, 16mm, S-16mm, 9.5mm, and 35mm), both negative and reversal.

Video content is interlaced, and typically 30 frames (meaning 60 fields) per second, while film content is progressive, typically 24 frames per second. The "Video Format" section of NVDVD Video property page indicates if the current content is film or video.

We can transfer VHS, Super VHS, VHS-Compact, MiniDV, Digital 8mm, Video 8mm, or HI 8mm videotape to DVD.

Upload the highest-quality audio file you can, which may be an uncompressed .wav or an MP3 with a bit rate of 256 Kbps or greater. Do not upload a music file that has copyright protection embedded in it, as this will prevent it from working on our site. To avoid having your video file go through a transcoder, the file should be in .flv format (flash video) with a data rate at or below 300 kbits/sec. [Sum total of 428 kbits/sec for both audio and video on the one file.

Transferring to DVD or CD-ROM is a complex process. Contact the Facilities Co-ordinator with detailed information about your needs and we'll let you know whether we can help you and how to proceed.

bull; Often filmmakers bring their own films on DVD-R or DVD-RW (or DVD+R) format; in these cases we request that the media is brought to the cinema in advance of the booking for a test. It is recommended that you bring a back-up of your film on VHS or miniDV. bull; Dolby 5.1 available for digital soundtracks; Dolby Prologic available for stereo analogue soundtracks.

http://www.paranoia.com/~filipg/HTML/REPAIR/ (in the USA) http://ftp.cised.unina.it/pub/electronics/REPAIR/ (better for Non-USA) http://www.hut.fi/~then/circuits/vga2rgbs.html It has the schematic and drivers for VGA to TV adapter. That adapter is for TVs which have RGB inputs, but can be connected to an external RGB-NTSC chip. Raytheon TMC2360 - Documentation is unavailable via the web, but the faxback system (415-988-2123) has it as document number 1129.

The official answer is that different formats serve different purposes for different people. But the real answer is that format chaos has been around just about as long as there have been video or audio formats. Mostly this is because every company in the market has introduced its own format at one point or another, and once a format is out there, it stays out there forever.

We can transfer images from photographs (up to 8” x 10”), 35mm slides and negatives, 8mm and Super-8mm film, and Beta, VHS or Video8 videotapes. We do not transfer PAL format images. [PAL – Phase Alternating Line - is the format used in many other countries, such as the United Kingdom. The format used in the United States is NTSC - National Television System Committee.]

You can submit videos of almost every video format. That includes WMV, QuickTime, RealMedia, XviD, DivX and MPEG (1, 2, 3 and 4).

Currently, we scan 35mm slides and negatives (color and b&w) or anything smaller in a 2-inch square mount. We also scan medium (120/220) and large (4 x 5) format negatives and positives, and photo prints up to 8 x 10.

We can print all film sizes up to 4"x5". Some film sizes need to be printed custom or digitally but 35mm, 120, 220 and 70mm formats are all machine printable.

If you have the rights to them, then stock photos are permitted. In other words, you may use photos not taken during the 48 hour time period.

Apex iPod Video Converter supports to convert your favorite movies from AVI, DIVX, MOV, QuickTime, MPEG, VCD, DVD, WMV, ASF, RM, RMVB, to Apple iPod.

Yes, the QuickTime MPEG-2 Playback Component combined with QuickTime Pro will allow the transcode of MPEG-2 video to other formats, whether that video originates in an elementary video stream or in a multiplexed stream. However, the audio that is interleaved with the video in a multiplexed stream cannot be transcoded to other formats. Transcoding is supported for video only.

No. All of our videos are NTSC format - - PAL and SECAM are not available. This is an important question, because WE DO NOT GIVE REFUNDS FOR PEOPLE EXPECTING PAL OR SECAM VIDEOS

Basing on our experience we recommend to use RealMedia format for your presentations. There are few reasons to make such choice: RealMedia is the native RealPlayer format. Therefore RealPlayer plays it in the most accurate and soft manner. This is especially important in the case of complex videotracks combined from several video files played sequentially. If you'll use MPEG, you'll see an image drops when such complex videotrack passes from one file to another.

Real Video at 100 kilobits per second for the EbS streaming, and Real Video in (surestream) multi-compression for low definition pictures.