We can't guarantee that we'll produce your script, but we'd love to take a look. Email us a copy (ASCII text, PDF, or Microsoft Word format) at radio@compound-eye.org. We have broadcasted our stories on the radio since it is the most obvious medium for audio-only stories, but we are also using the Internet for distribution.

We write and whittle our own scripts. Though we'd be interested in producing other people's scripts if they seemed like they could be interesting (and fun) endeavors for us. We encourage anyone to send us experimental scripts that push the audio-only storytelling format.

There are several USENET groups whose charters include modern drama. Check the lists on your local Internet provider to see which are available to you. Jim French Productions (Imagination Theatre): http://jimfrenchproductions.com/ Atlanta Radio Theatre Company: http://www.artc.org ZBS Media: http://www.zbs.org/zbs.html LodesTone Productions: http://www.www.lodestonecatalog.com Midwest Radio Theatre Workshop: http://www.mrtw.org/mrtw

We don't follow one particular approach and we are open to experimenting with production techniques. Structure, however, is the key to efficiency. One technique we are working on fine-tuning is the following: mentioned above, we are interested in experimenting with all phases of the production. Starting with music or sound effects and adding improvised dialogue would be equally interesting ways to work, though perhaps more time consuming for a cohesive final product.

We produce both custom and syndicated television and radio spots. PSB has also written and produced award-winning custom film commercials. But what really makes us unique is our ability to produce coordinated print elements as well - everything from a matching direct mail campaign to all of the in-branch support materials. (back)

Yes, and more. Tony operated the Radio Drama Resources website since 1996, but the amount of traffic that site generated (110,000 visitors in 2004) exceeded his internet service provider's allowance for a personal website. It was TOO popular. So, Tony bought his own domain--www.RuyaSonic.com--and moved the old site here, but broke it up into more pages. The old site will be retired in March 2005, with only pointers to Tony Palermo's RuyaSonic Website.

Finally, there's room for many more articles, audio clips, photos, videos and even some e-commerce, to sell downloadable scripts, music cues, sound effects clips and also specialized microphones, audio gear and hand-built sound effects devices. There will even be free audiobooks created by Tony.

The software can produce a customizable script for use during awards presentation including the relevant information (e.g. name, school affiliation, and place).

The trick to calling script-fu-scripts from another script is to just reference the main define for the script and not to try to use the pdb call. All the scripts in script-fu share a common name space; you call other scripts just like a regular function / define / whatever you call those those things in_scheme.

Script-Fu is the first GIMP scripting extension. Extensions are separate processes that communicate with the GIMP in the same way that plug-ins do. The distinction is that extensions don't require an active image to operate on, instead extending GIMP's functionality. GIMP internals for version 1.0 have been completely overhauled from version 0.54. In particular, the plug-in API has been made far more general with the advent of the procedural database (PDB).

Java-Script is a client-side scripting language that can be embedded within a web page. Java-script is used to create dynamic web pages or to provide functions to the web browser that don't normally exist.

If you intend to pursue a career as an actor, you can get professional training from one of the major drama schools when you are 18 or over. We recommend that you take a drama school that is accredited by the Conference of Drama Schools or the National Council of Drama Training. The Conference of Drama Schools is a professional association founded in 1969.

A TV drama is defined in the amendment Ordinance to mean a film of the kind commonly known as a TV drama.

The only course choice that affects what pod you are in is Band. If you choose to take band, you will likely be in pod 4.

With the exception of our 13-pin cables, ALL of the SignaLink radio cables are UNIVERSAL and will work with ANY radio, so long as you select one with the right type of connector (see Question #5). We have made this possible by wiring our cables "straight-through" (pin #1 to pin #1, pin #2 to pin #2, etc.), and using push-in jumper wires to connect the mic lines of the radio to the same lines in the SignaLink (PTT to PTT, Ground to Ground, etc.).

The simplest way to produce an assembly is directly from a .NET compiler. For example, the following C# program: public class CTest { public CTest() { System.Console.WriteLine( "Hello from CTest" ); } } You can then view the contents of the assembly by running the "IL Disassembler" tool that comes with the .NET SDK. Alternatively you can compile your source into modules, and then combine the modules into an assembly using the assembly linker (al.exe).

Yes, either on the tunnel or hidden in the (street dash) glovebox. There is space for 4 speakers - two at the footbox sides and two behind the seats. Most people prefer to listen to the engine's music, however. Why do you offer two different dashboards? The original 427 (as opposed to the street 427) had the speedometer mounted in the center of the dash, and it didn't have a glove box.

I would not be able to give exact values as there are many differences even between identical setups. Besides it is best to do the setups individually to give the most optimal settings. I can however give some pitch setting to go with for learning to hover. I have setup a lot of helicopters and for those just starting out I always setup 0 degrees blade pitch for bottom stick position, 5 degrees for the middle stick position, and 9 degrees for the top.

There are new radios being produced every year, and old radios are being retired from production to make room, so this document cannot recommend a specific make or model. However, it can offer a few ideas that will hopefully make your decision easier. Most radios on the market at the time of this writing fall into one of three categories, as follows. The prices are of course approximate.