First, try enabling the "Uses Wave Out Position For Timing" setting under Options | Audio | Advanced. If problems persist, disable the Wave Out setting and consult the chart available at http://www.cakewalk.com/Support/Docs/DMASettings.htm for the proper settings of your sound card. (Back to top)

No, MetaSynth does not contain any MIDI capabilities. Therefore it isnot possible to synchronize MetaSynth's playback engine with any other applications or external hardware. MetaSynth 4 supports sample rates up to 96k. Metasynth 4 supports 16-bit audio. MetaSynth Pro supports 24-bit audio. MetaSynth 4 supports any audio hardware that can be accessed via the OS X Audio MIDI Setup application and set as the default audio device.

MIDI is not sound. You can't simply press the Bounce button on an output object, and expect the external synth's sound to magically turn up in your final song. MIDI is a series of commands to your MIDI devices, which then may produce the desired sound/audio. In order to have this sound included when you bounce the song to a final audiofile, you can do two things. First of all, feed the sounding results of the synths - via an external mixer or directly - into audio inputs of your soundcard.

Flash SWF video has two framerates: a) a video framerate, which is the number of distinct video frames per second in your video, and b) a SWF framerate, which is the number of SWF frames in your final Flash video. These are not the same thing and you have to keep track of both - and how they relate to each other and to the source video framerate. Flash video is different in this way then standard video which has only a single video framerate. (Note: This does not apply to FLV video.

If the video plays back on your computer without problems then your best option is to re-encode the video and choose different video and audio bit-rates. See the FAQ on how to stop movies jerking.

To save MIDI data to disk, use the 'midiToDisk' object. To route MIDI to other software in Windows (for example Logic, Cubase or Sonar), you can use for example Hubi's MIDI Loopback Device or MidiMux. To route MIDI to other software inside MacOSX, you do not have to install everything, because software also appears automaticly inside hardware-lists.

No! MIDI data is only transmitted as far as your local subnet. Each MIDI data network packet can only make one hop, so you won't be able to send any data across a router. This prevents it from reaching the Internet.

We don't engage in data matching about purchases - we're not that sort of business. Unlike parts of government or the finance sector we don't require information about whether you own your own home, have a criminal record, eat muesli or favour dogs over cats. That means we don't collect much information of a personal nature.

Go to http://peridotec.com/datasync/buy.asp and fill out the form and follow the instructions, On submission of the details and payment info you will get License No which you can enter into the registration screen of Data Sync

Sony claims in their Magneto Optical FAQs that data may be stored with magneto optical technology for more than thirty years without loss or degradation. Once written to the disk, data are safe from the magnetic fields and heat found in normal environments. However, strong magnets placed directly against the MD can destroy data, as evidenced by informal experiments conducted by users. In contrast, a modern (ca.

Less simple answer: even though the above is true, there might be a workaround which might or might not work, depending on your needs. Insert a VSTi in an Audio Instrument channel strip. In the instrument pick a patch that produces a very constant sound (volume-wise). Now route the instrument's output to a bus, and use that bus as the input to the sidechain. MIDI notes on the instrument track will thus generate a constant-amplitude sound, which in turn will trigger the sidechain.

MIDI data doesn't care what type of wire it's sent on. Nor, for that matter, does audio. UniWire uses a single Ethernet wire to carry all the MIDI and audio data between your host computer and Receptor. This has two advantages. First, it makes your studio wiring and setup much easier, since you only need to connect a single Ethernet cable between Receptor and your host computer (or your host computer's Ethernet switcher).

This is usually to do with the speed of the system used for encoding. Older and those machines with low RAM will have trouble encoding video and will often produce video that falls out of sync. The power of the playback machine is also a factor. The larger the viewable video area, the more resources required for seemless playback. You will need to weigh up the average system of your users with the size of the video that you provide, or look to offer multiple sizes.

There have been numerous reports of "lip sync" problems, where the audio lags slightly behind the video, and even reports of the audio coming before the video. Perception of a sync problem is highly subjective--some people are bothered by it while others can't discern it at all.

This appears every now and then due to regionfree mode or at playback of an NTSC movie on a PAL TV-set or viceversa. Change region and/or TV-format.